Dept. of Music
Jan. 6th, 2026 11:11Music Meme, Day 17
A song that reminds you of somebody:
When I first came to Chicago in 1981, I stayed with one of the friends I'd made when I attended Suncon, the 1977 world science fiction convention, and my very first convention. His name was Ed Sunden and he was overwhelming. He was awful and generous, outrageous and brilliant, manipulative and kind, and definitely sui generis. He loved music, and he loved introducing me to New Wave music that was definitely new to me - the Police and Elvis Costello among the groups he loved.
His way of introduction? He would tell me to sit down in the tiny living room of the basement apartment he shared with Joan, the woman who became his wife. Or rather, he would order me to sit down, and then he'd put on an LP, or power up a tape he'd recorded on his music system (primitive by today's standards, but incredibly impressive back in 1981.) Sometimes he'd play the same song twice, to make sure I understood the words.
All these years later, and 25 years after he died, it's Elvis Costello's songs that immediately bring Ed and that dim little apartment singing and shouting back into my mind.
I thought of sharing "Oliver's Army" with you, because it's one of the Costello songs that really hit me when I first heard it. Unfortunately, and despite the fact that Costello wrote the song as an anti-fascist tune, it uses at least two racist slurs that I'm uncomfortable listening to these days. He wrote it after being in Northern Ireland during The Troubles, and the Oliver he sang of was Oliver Cromwell, who invaded and conquered Ireland. British fascists have taken Cromwell as one of their own, so Costello's brutal parodying of fascism and how it sucks working class kids into a losing game in this song is close to perfection in terms of the written word. Still, the racial slurs, parodies though they are, made me nix this tune.
In its place, and most definitely one that still makes me think of Ed, is "Pump It Up." Enjoy, and if you want to know my previous answers, go to Day 17, and it will give you access to all the previous songs.
A song that reminds you of somebody:
When I first came to Chicago in 1981, I stayed with one of the friends I'd made when I attended Suncon, the 1977 world science fiction convention, and my very first convention. His name was Ed Sunden and he was overwhelming. He was awful and generous, outrageous and brilliant, manipulative and kind, and definitely sui generis. He loved music, and he loved introducing me to New Wave music that was definitely new to me - the Police and Elvis Costello among the groups he loved.
His way of introduction? He would tell me to sit down in the tiny living room of the basement apartment he shared with Joan, the woman who became his wife. Or rather, he would order me to sit down, and then he'd put on an LP, or power up a tape he'd recorded on his music system (primitive by today's standards, but incredibly impressive back in 1981.) Sometimes he'd play the same song twice, to make sure I understood the words.
All these years later, and 25 years after he died, it's Elvis Costello's songs that immediately bring Ed and that dim little apartment singing and shouting back into my mind.
I thought of sharing "Oliver's Army" with you, because it's one of the Costello songs that really hit me when I first heard it. Unfortunately, and despite the fact that Costello wrote the song as an anti-fascist tune, it uses at least two racist slurs that I'm uncomfortable listening to these days. He wrote it after being in Northern Ireland during The Troubles, and the Oliver he sang of was Oliver Cromwell, who invaded and conquered Ireland. British fascists have taken Cromwell as one of their own, so Costello's brutal parodying of fascism and how it sucks working class kids into a losing game in this song is close to perfection in terms of the written word. Still, the racial slurs, parodies though they are, made me nix this tune.
In its place, and most definitely one that still makes me think of Ed, is "Pump It Up." Enjoy, and if you want to know my previous answers, go to Day 17, and it will give you access to all the previous songs.
Rex’s Ex’s Ex Wrecks the Complex: JUSTICE LEAGUE EUROPE #5 (JLI 40)
Jan. 4th, 2026 22:23
Metamorpho has been one of DC’s second-tier stars since 1965, and unlike a lot of characters without long-running series of their own, he’s retained his supporting cast.
( Captain Atom’s kids are reading this in a bar somewhere, glaring in resentment. )
Dept. of Fluffy Bunnies
Jan. 3rd, 2026 21:45In an Effort to Palate Cleanse After Today ...
... it's the return of the Music Meme ...
... and it's Day 17.
A song about being 17:
Oh, was there ever going to be any other song?
Even though I first heard the song well after I left 17 behind, Janis Ian's song spoke to me in a general sense. I understood it, even though I hadn't suffered what she undoubtedly suffered during her own school days. I'd suffered smaller heartbreaks in high school, for the crime of being weird. Besides, her writing was beautiful. So of course, I loved it. Teenagers have it tough, y'all.
Years later, I learned she was a science fiction fan, and she wrote a song about that, and put it to the music for "At Seventeen." Here it is. (I don't know if it was written for SFWA, or for the Nebula Awards; Geri, if you're out there, can you tell me? It was the title of her rewritten song, "Welcome Home," which she repeats more than once in the lyrics, that hit me harder than "At Seventeen" ever did. That's what I felt when I discovered SFF fandom; I'd found a home.
Even later, I had the chance to listen to her live when she played a gig in Evanston. Afterwards, I spoke briefly to her about how much I loved that, especially the mention of Cordwainer Smith, one of my favorite weirdly beautiful writers. It turns out that she was also a Smith fan. That was as much a gift to me as "Welcome Home" was
If you want to see any of my earlier answers, visit Day 16 The links are at the bottom.
... it's the return of the Music Meme ...
... and it's Day 17.
A song about being 17:
Oh, was there ever going to be any other song?
Even though I first heard the song well after I left 17 behind, Janis Ian's song spoke to me in a general sense. I understood it, even though I hadn't suffered what she undoubtedly suffered during her own school days. I'd suffered smaller heartbreaks in high school, for the crime of being weird. Besides, her writing was beautiful. So of course, I loved it. Teenagers have it tough, y'all.
Years later, I learned she was a science fiction fan, and she wrote a song about that, and put it to the music for "At Seventeen." Here it is. (I don't know if it was written for SFWA, or for the Nebula Awards; Geri, if you're out there, can you tell me? It was the title of her rewritten song, "Welcome Home," which she repeats more than once in the lyrics, that hit me harder than "At Seventeen" ever did. That's what I felt when I discovered SFF fandom; I'd found a home.
Even later, I had the chance to listen to her live when she played a gig in Evanston. Afterwards, I spoke briefly to her about how much I loved that, especially the mention of Cordwainer Smith, one of my favorite weirdly beautiful writers. It turns out that she was also a Smith fan. That was as much a gift to me as "Welcome Home" was
If you want to see any of my earlier answers, visit Day 16 The links are at the bottom.
Dept. of Evil Shit
Jan. 3rd, 2026 11:54Jesus Christ, Venezuela?
He's saying that the U.S. is going to run Venezuela.
Christ on a cracker.
I'd suspended our effort to request permanent residency for Bob. It was easy to live in limbo because neither of us wants to move. But now? It's back to work on the application.
He's saying that the U.S. is going to run Venezuela.
Christ on a cracker.
I'd suspended our effort to request permanent residency for Bob. It was easy to live in limbo because neither of us wants to move. But now? It's back to work on the application.
Как сделать, чтобы всем было плохо
Jan. 3rd, 2026 18:26Нынешний венесуэльский кульбит тем интересен, что он плох для всех.
1. Для РФ. Так как бьет по единственному более-менее последовательному союзнику РФ в Южной Америке, да и вообще в мире.
2. Для Украины. Так как легитимизирует свержение иностранной военной силой руководства суверенной страны. Трамп проводит "чрезвычайную военную операцию", так какие претензии к специальной военной операции?
3. Для Венесуэлы. Никакой "демократизации" не просматривается вследствие похищения президента страны. И не видно никаких сильных проамериканских настроений в Венесуэле, чтобы страна отблагодарила своих освободителей.
4. Для США. Политический раскол в стране будет только углубляться.
5. Для Трампа. Теперь нет даже призрачной надежды на вожделенную Нобелевскую премию мира.
Ну так и на хрена?
1. Для РФ. Так как бьет по единственному более-менее последовательному союзнику РФ в Южной Америке, да и вообще в мире.
2. Для Украины. Так как легитимизирует свержение иностранной военной силой руководства суверенной страны. Трамп проводит "чрезвычайную военную операцию", так какие претензии к специальной военной операции?
3. Для Венесуэлы. Никакой "демократизации" не просматривается вследствие похищения президента страны. И не видно никаких сильных проамериканских настроений в Венесуэле, чтобы страна отблагодарила своих освободителей.
4. Для США. Политический раскол в стране будет только углубляться.
5. Для Трампа. Теперь нет даже призрачной надежды на вожделенную Нобелевскую премию мира.
Ну так и на хрена?

This annual’s main story is about planting seeds. It introduces a whole new cast of characters to serve as story anchor points, associated with the JLI embassies outside of New York and Paris--including one new embassy founded in these pages. Some of these characters would be focal to multiple Giffen-DeMatteis plots; some would get cameos of varying interest; some would never be seen again. Most would be utterly forgotten after Giffen and DeMatteis left.
( It was still a bit too early in 1989 for a unified Berlin embassy. )








